Publishments | The Message
The first book made deals with scenes seen and experienced in travels in Brazil, noting social differences, suffering and happiness, which have so established the artist. Then, when he was invited to make the object-book "The Four Horsemen of the Apocalypse", he was essential to the spiritual
theme through the Bible. Since then, for 25 years, scenes from the Old and New Testaments were painted, from Genesis to Revelation, launching in 2007 the book Bible Quotes. Nowadays the work continues to be developed, deepened on the spiritual theme.
"In his work notes, which constitute an analytical commentary of touching clarity, Carlos Araújo naturally encounters the Leonardian or Michelangelo touches to evoke his working methods, the course of his thought, the anchoring points of his vision between the raptures of feeling and the requirements of making ".
Pierre Restany (1930-2003)
The Four Horsemen of the Apocalypse
Project started in 1985 of an “object-book” of lithographs, edited by Arianne Lancell, inspired by the text of the Apocalypse of Saint John Patmos and Vicente Blasco Ibáñez.
ARAUJO
Edited by Claude Draeger and published by Anthese in 1984.
The book contains some of his early works, presenting the artist's styles and themes at the beginning of his journey.
Bible Quotes
Published in 2007 by the publisher ARTinspirit.
The book is presented in 684 pages, 1028 illustrations, 118 chapters and 1765 verses from the book of Genesis to Revelation in its Ecumenical Translation.
The works inspire the deepening of teachings, in texts that are always up-to-date, which indicate from the beginning the path of our spiritual evolution.
Old and New Testament Paintings
Published in 2010, this book features a new selection of paintings by the artist to be presented along with passages from the old and new testaments of the bible.
Genesis
Published in 2013 by Capella Editorial.
The book focuses on biblical stories about the beginning of the universe and features over 50 images depicting this chapter.
Art and Sacrality in Art
Book edited by Jacob Klintowitz and published by the Olga Kos Institute in 2018.
It portrays some of the most current images of the artist, with photos of the cultural inclusion activities he participated in.